Description
Winner receives a signed oil on canvas painting by well listed French Impressionist artist Maurice Utrillo (1883-1955). The painting depicting a Montmartre, Paris street scene,
is coming for sale from the collection of Mamdouha and Elmer Bobst.
The painting has excellent provenance from Sotheby s, who handled the estate in April and June of 2016, although this piece was obtained prior to the actual sale. The piece is signed in the lower right corner, seen magnified in picture 5. The piece retains its original gallery frame, which can be seen magnified in picture 6. The painting is in e
xcellent original condition with no rips, tears, repairs, staining, foxing, or in-painting. There are two small paint chips in the bottom right corner, under the signature. The original gallery frame is also in excellent condition with no chips, cracks, repairs, or any other damage. This painting is gorgeous and ready for hanging as-is. The frame measures roughly 29.75 x 26.5 , with the image measuring roughly 22 x 17 . Below is some information about the artist, whose auction records include a record $936,000 sale in 2007. Please note, this is an authentic Maurice Utrillo original oil painting with provenance from a prominent collection. The painting, with linen inlay and heavy, gorgeous gallery frame, needs absolutely nothing but a wall to be hanged on.
Please feel free to ask us any questions you may have prior to bidding or making an offer. Thank you for checking out our listing.
Maurice Utrillo (1883-1955), was a French painter who specialized in cityscapes. Born in the Montmartre quarter of Paris, France, Utrillo is one of the few famous painters of Montmartre who was born there.
Utrillo was the son of the artist Suzanne Valadon (born Marie-Clémentine Valadon), who was then an eighteen-year-old artist s model. She never revealed who was the father of her child; speculation exists that he was the offspring from a liaison with an equally young amateur painter named Boissy, or with the well established painter, Pierre-Cécile Puvis de Chavannes, or even with Renoir. In 1891 a Spanish artist, Miguel Utrillo y Molins, signed a legal document acknowledging paternity, although the question remains as to whether he was in fact the child s father.
Valadon, who became a model after a fall from a trapeze ended her chosen career as a circus acrobat, found that posing for Berthe Morisot, Pierre-Auguste Renoir, Henri de Toulouse-Lautrec, and others provided her with an opportunity to study their techniques; in some cases, she also became their mistress. She taught herself to paint, and when Toulouse-Lautrec introduced her to Edgar Degas, he became her mentor. Eventually she became a peer of the artists she had posed for.
Meanwhile, her mother was left to raise the young Maurice, who soon showed a troubling inclination toward truancy and alcoholism. When a mental illness took hold of the 21-year-old Utrillo in 1904, his mother encouraged him to take up painting. He soon showed real artistic talent. With no training beyond what his mother taught him, he drew and painted what he saw in Montmartre. After 1910 his work attracted critical attention, and by 1920 he was internationally acclaimed. In 1928, the French government awarded him the Cross of the Légion d honneur. Throughout his life, however, he was interned in mental asylums repeatedly.
Today, tourists to the area will find many of his paintings on post cards, one of which is his very popular 1936 painting entitled, Montmartre Street Corner or Lapin Agile.
In middle age, Utrillo became fervently religious and in 1935, at the age of fifty-two, he married Lucie Valore and moved to Le Vesinet, just outside Paris. By that time, he was too ill to work in the open air and painted landscapes viewed from windows, from post cards, and from memory.
Although his life also was plagued by alcoholism, he lived into his seventies. Maurice Utrillo died on 5 November 1955 in Hotel Splendid in Dax of a lung disease, and was buried in the Cimetière Saint-Vincent in Montmartre.
An apocryphal anecdote told by Diego Rivera concerning Utrillo s paternity is related in the unpublished memoirs of one of his American collectors, Ruth Bakwin:
After Maurice was born to Suzanne Valadon, she went to Renoir, for whom she had modeled nine months previously. Renoir looked at the baby and said, He can t be mine, the color is terrible! Next she went to Degas, for whom she had also modeled. He said, He can t be mine, the form is terrible! At a cafe, Valadon saw an artist she knew named Miguel Utrillo, to whom she spilled her woes. The man told her to call the baby Utrillo: I would be glad to put my name to the work of either Renoir or Degas!
In 2010, several retrospective exhibitions were staged, at Oglethorpe University Museum of Art and in Montmartre that culminated in an auction of 30 of Utrillo s works in November 2010 from the collection of Paul Pétridès, Utrillo s art dealer, whose Galerie Pétridès also dealt with the likes of Jacques Thévenet. This follows the 2009 exhibition of Suzanne Valadon and Maurice Utrillo s works held in Paris in 2009.
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