Description
About this painting
- Visa is an landscape painting based on a photo of Mt. Rainier in Washington State. It s a minimalist painting in white, light gray, and dark gray.
- Coated with high gloss varnish for UV protection.
- Dimensions: 30 inches x 40 inches x 7/8 inch.
- Frame not required. Wired and ready to hang.
- The painting continues onto the sides of the canvas.
- Signed on bottom edge and on back of painting.
- Acrylic on stretched canvas.
US buyers only.
Returns accepted within 14 days.
Direct or indirect signature required
Beautiful original painting, packed and shipped with care.
Stunning painting! Thank you!
What people are saying about Naomi’s work
“…delicious and interesting…they bring a state of extreme peace.
“Excellent use of such vibrant colors…love the texture!”
“There is a certain peacefulness about her work that captivates and soothes at the same time.”
“Each art piece she creates is seriously one of a kind! Amazing! Her art is the breath of fresh air.”
“Exquisitely charismatic.”
About the artist
Naomi’s art has been seen in numerous venues in St. Louis since she began painting in 2009. Her work has also been shown in Lexington, Kentucky, Boston, Massachusetts, and Lyon, France. Naomi’s paintings can be found in private collections throughout the United States and Europe.
Naomi’s most recent work has taken her in new interpretive and technical directions. Still inspired by landscapes, she has developed a more minimalist (but no less complex) palate that allows her to confront shadow and light in new ways. Where her earlier work often draws on clouds, mists, filtered light and soft edges, Naomi’s recent explorations offer sharp edges and definitive shapes. These new works focus on snowy mountainscapes featuring stark contrasts of the white snow and rocks, contrasts that we often see at the extremes of the day—sunrise and sunset.
At the same time, these new works invite the artist and the viewer to engage with the primary challenge of painting—creating a three-dimensional world on a two-dimensional surface. Naomi employs swaths of what appear at a distance to be flat, monochromatic surfaces to evoke the mystery and majesty of solid mountain peaks and crevasses lit by equally flat light. Closer inspection reveals detailed brushwork and layered paint surfaces, carefully and meticulously applied. Like a monumental mountainside at sunset, Naomi’s new work offers starkly contrasting fields of blacks, greys and whites built of the smallest of individual shadows. Some viewers have noted the similarity of these new works to Chinese or Japanese calligraphy. The shadowed shapes can evoke calligraphic figures, but the meaning is nature’s own, created by light and shadow.
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